Painting abstraction in three different ways at Bridgette Mayer
By Alison McMenamin
The current three-some of painters at Bridgette Mayer Gallery ask how many ways a painting can be abstract. Works in the large galleries pair Leslie Wayne’s small sculptural paintings and Neil Anderson’s large lyrical topographies. While Wayne is interested in using paint as a
sculptural material, Anderson’s work reinforces paint’s flatness. Matthew Fischer, in the Vault, presents work that is between these two extremes.
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